Mrs. Gereth shook her head with slow austerity. "You don't believe a word you're saying. I've frightened you, as you've frightened me: you're whistling in the dark to keep up our courage. I do simplify, doubtless, if to simplify is to fail to comprehend the insanity of a passion that bewilders a young blockhead with bugaboo barriers, with hideous and monstrous sacrifices. I can only repeat that you're beyond me. Your perversity's a thing to howl over. However," the poor woman continued with a break in her voice, a long hesitation and then the dry triumph of her will, "I'll never mention it to you again! Owen I can just make out; for Owen is a blockhead. Owen's a blockhead," she repeated with a quiet, tragic finality, looking straight into Fleda's eyes. "I don't know why you dress up so the fact that he's disgustingly weak." "If we have lost?" Fleda repeated as she paused again.!

"Merciful powers, how you worship him!" Mrs. Gereth wonderingly moaned. It was, for Fleda, the shake that made the cup overflow. She had a pause, that of the child who takes time to know that he responds to an accident with pain; then, dropping again on the sofa, she broke into tears. They were beyond control, they came in long sobs, which for a moment Mrs. Gereth, almost with an air of indifference, stood hearing and watching. At last Mrs. Gereth too sank down again. Mrs. Gereth soundlessly, wearily wept. When, as criticism deepened, Fleda dropped the suggestion that some people would perhaps see something in Mona, Mrs. Gereth caught her up with a groan of protest, a smothered familiar cry of "Oh, my dear!" Mona was the eldest of the three, the one Mrs. Gereth most suspected. She confided to her young friend that it was her suspicion that had brought her to Waterbath; and this was going very far, for on the spot, as a refuge, a remedy, she had clutched at the idea that something might be done with the girl before her. It was her fancied exposure at any rate that had sharpened the shock; made her ask herself with a terrible chill if fate could really be plotting to saddle her with a daughter-in-law brought up in such a place. She had seen Mona in her appropriate setting and she had seen Owen, handsome and heavy, dangle beside her; but the effect of these first hours had happily not been to darken the prospect. It was clearer to her that she could never accept Mona, but it was after all by no means certain that Owen would ask her to. He had sat by somebody else at dinner, and afterwards he had talked to Mrs. Firmin, who was as dreadful as all the rest, but redeemingly married. His heaviness, which in her need of expansion she freely named, had two aspects: one of them his monstrous lack of taste, the other his exaggerated prudence. If it should come to a question of carrying Mona with a high hand there would be no need to worry, for that was rarely his manner of proceeding.

"At the Registrar's, like a pair of low atheists." This attempt at gayety was futile; the silence with which, for a minute, her adversary greeted her troubled plea brought home to her afresh that she was on the bare defensive. "Is it a part of his kindness never to come near you?" Mrs. Gereth inquired at last. "Is it a part of his kindness to leave you without an inkling of where he is?" She rose again from where Fleda had kept her down; she seemed to tower there in the majesty of her gathered wrong. "Is it a part of his kindness that, after I've toiled as I've done for six days, and with my own weak hands, which I haven't spared, to denude myself, in your interest, to that point that I've nothing left, as I may say, but what I have on my back—is it a part of his kindness that you're not even able to produce him for me?" She had been perfectly prepared to be surprised at Ricks, for Mrs. Gereth was a wonder-working wizard, with a command, when all was said, of good material; but the impression in wait for her on the threshold made her catch her breath and falter. Dusk had fallen when she arrived, and in the plain square hall, one of the few good features, the glow of a Venetian lamp just showed, on either wall, the richness of an admirable tapestry. This instant perception that the place had been dressed at the expense of Poynton was a shock: it was as if she had abruptly seen herself in the light of an accomplice. The next moment, folded in Mrs. Gereth's arms, her eyes were diverted; but she had already had, in a flash, the vision of the great gaps in the other house. The two tapestries, not the largest, but those most splendidly toned by time, had been on the whole its most uplifted pride. When she could really see again she was on a sofa in the drawing-room, staring with intensity at an object soon distinct as the great Italian cabinet that, at Poynton, had been in the red saloon. Without looking, she was sure the room was occupied with other objects like it, stuffed with as many as it could hold of the trophies of her friend's struggle. By this time the very fingers of her glove, resting on the seat of the sofa, had thrilled at the touch of an old velvet brocade, a wondrous texture that she could recognize, would have recognized among a thousand, without dropping her eyes on it. They stuck to the cabinet with a kind of dissimulated dread, while she painfully asked herself whether she should notice it, notice everything, or just pretend not to be affected. How could she pretend not to be affected, with the very pendants of the lustres tinkling at her and with Mrs. Gereth, beside her and staring at her even as she herself stared at the cabinet, hunching up a back like Atlas under his globe? She was appalled at this image of what Mrs. Gereth had on her shoulders. That lady was waiting and watching her, bracing herself, and preparing the same face of confession and defiance she had shown the day, at Poynton, she had been surprised in the corridor. It was farcical not to speak; and yet to exclaim, to participate, would give one a bad sense of being mixed up with a theft. This ugly word sounded, for herself, in Fleda's silence, and the very violence of it jarred her into a scared glance, as of a creature detected, to right and left. But what again the full picture most showed her was the far-away empty sockets, a scandal of nakedness in high, bare walls. She at last uttered something formal and incoherent—she didn't know what: it had no relation to either house. Then she felt Mrs. Gereth's hand once more on her arm. "I've arranged a charming room for you—it's really lovely. You'll be very happy there." This was spoken with extraordinary sweetness and with a smile that meant, "Oh, I know what you're thinking; but what does it matter when you're so loyally on my side?" It had come indeed to a question of "sides," Fleda thought, for the whole place was in battle array. In the soft lamplight, with one fine feature after another looming up into sombre richness, it defied her not to pronounce it a triumph of taste. Her passion for beauty leaped back into life; and was not what now most appealed to it a certain gorgeous audacity? Mrs. Gereth's high hand was, as mere great effect, the climax of the impression.